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The only just literary critic is Christ, who admires more than does any man, the gifts He Himself has bestowed. – JRR Tolkien

Spencer
Writer’s Block – Keep the Writing Momentum
How to Avoid & Crush Writer's Block

How to Write a Song – Part Three – Imagery & Repetition
How do I create imagery in songwriting?

Imagery in Songwriting
Songwriters use flowery or descriptive imagery in place of the actual things they describe.
Think Bob Seger in Like a Rock, or Poison’s Every Rose Has It’s… Continue reading →
How to Write a Song – Part Two – Lyrics, Theme, Title
How do I write the best song lyrics?

When writing lyrics, the first rule is never to take yourself too seriously.
Don’t fall into the trap of thinking all your lyrics must be deeply profound or meaningful to… Continue reading →
How to Write a Song – Part One – Methods & Formula
The Nuts & Bolts of Songwriting

A song can be broken down into four constituent elements.
- Words – or Lyrics – which are sung along to a:
- Melody – which is the part of a tune you hum… Continue reading →
What is a Synopsis and How Do I Write One?
How do I write a synopsis for my book?

At its most fundamental level, a synopsis answers the question:
What is this book about?
A synopsis should cover (in abbreviated form) all the major points of your book… Continue reading →
Clichés – How Can You Use Them?
Clichés - Enemy? Or Friend?

Every time I turn on the television or pick up a new book at the bookstore, I see yet another cliché or variation on a cliché, and I roll my eyes.
“Again?” I… Continue reading →
Do You Need to Avoid Clichés?
How Cliché is Using Clichés in Your Writing?

This one’s a tough nut to crack.
Avoiding cliches is like avoiding headaches. We’d all love to, but there’s no way we’ll ever completely avoid them.
With hundreds of cliches,… Continue reading →
Story Pacing – Urgency – Hooking Readers
The First Fifty - Crucial - Pages of Your Book

The first fifty pages of your book are crucial for setting the hook in your readers. Something has to happen. Something exciting, or intriguing, or you risk losing… Continue reading →
What is the Best Point of View to Use in Fiction?
Benefits and Drawbacks of Each POV in Your MS

As a beginning writer who chose to write my first book in first-person narrative, I discovered the drawbacks of such an approach the hard way.
Halfway through the book,… Continue reading →
Adverbs – Part Three
The Dreaded LYs

When discussing adverbs in regards to writing fiction, the kind we’re usually talking about are the ly words – like clearly, dearly, and madly.
Many high-brow critics complain that the use of… Continue reading →
Adverbs – Part Two
What Words Serve as Both Adjectives & Adverbs?

Yes, some words can serve as both adjectives and adverbs.
- He swung hard with a right hook.
Here, hard serves as an adverb which modifies the verb swung.
- When… Continue reading →
Adverbs – Part One
What is an Adverb?
An adverb is a word that modifies a verb, an adjective, or another adverb.
Here’s some examples:

Adjective Form:
- happy
- clear
- close
- dear
- perfect
Adverb Form:
- happily
- clearly
- closely
- dearly
- perfectly
Of course,… Continue reading →
World Building – Information Dumps in Your Story
Are You Overwhelming Your Readers?

Have you ever run across a prologue like this:
(usually in sci-fi books)
Captain Briggs took the helm and began shouting orders. “Ensign, optimize the traspositional filtration valves to ignite the gravitational destabilizers.”… Continue reading →
Sentence Fragments – Stylistic Choice?
Should I Use Sentence Fragments?

Sentence fragments.
Who cares? You? Me?
Anyone?
Depends.
Writing nonfiction?
Probably wouldn’t.
Work, that is.
Writing fiction?
Could be.
Depends.
On what?
Style.
Rewriting and Revising Before You Edit
How Many Manuscript Drafts Should You Go Through?

When working on a book of any kind, if you haven’t gone through a minimum of three drafts, you probably don’t have a finished product.
The first draft should be… Continue reading →
Edit Your Book
Why You Should Edit Before You Send to An Editor

Whether you’re publishing your book yourself, sending to an agent, or to a publisher follow these important tips.
When you’re getting ready to send your manuscript off, always… Continue reading →
Active Versus Passive Voice
Engage Your Reader with Active Voice in Your Writing

While it has it’s uses – mostly in business writing – passive voice is considered weak and unappealing.
Technically speaking, voice is determined by the property of a transitive… Continue reading →
How to Write a Book – Tips & Ideas
What's the Best Way to Write a Book?

There are as many answers to that questions as there are authors. And while no answer is inherently better than another, a few examples should serve to set the aspiring… Continue reading →
Fine Tuning Your Manuscript – Part Three
Engage Your Characters in Their Setting

When you’re characters interact through dialogue, make them interact as well with their surroundings.
There should be a continual interplay of character and setting. Examine your dialogue sections to ensure they don’t… Continue reading →
Fine Tuning Your Manuscript – Part Two
The Three S's - Scene, Setting, and Senses

Stories don’t occur in a bubble.
They have to be set in a real and believable place. And what makes a scene or setting, is detail.
And what makes the… Continue reading →